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Amitabh Bachchan said, “We have progressed tremendously in these last 100 years to be accepted not just within India but overseas as well is a fantastic feeling.” Yes, I am proud to be part of this seminar as Indian Cinema is almost winding up hundred years of its inception and my institute, Ramniranjan Jhunjhunwala College its fifty years of its inception. Ours being the largest country (more than thousand films annually) has enhanced our aesthetic realm by producing great films, directors, producers, actors, technicians, lyricists, musicians and so on and so forth. EDITORS 4 Introduction to the theme of the Seminar by the Conveners I At Cannes Film Festival – 2013, the great living legend of Indian Cinema, Mr. Viewing issues and challenges of Indian Cinema over these hundred years with its Socio-Philosophical Perspective cannot be done in two days, probably it will takes days; but nevertheless, this is our humble attempt to dissect the Indian Cinema World and see through it – how it has been a tremendous influencing factor then and now on our society and our everyday philosophy of life; so also how Indian Cinema has been moulded by society and normative philosophy of everyday life.Cinema has infinite facets and we have number of paper presenters, paper contributors, and keynote speakers, who will go live in this seminar and give us a complete cinematic and cinematographic experience of ‘Hundred Years of Indian Cinema – Issues and Challenges in Retrospection (Socio-Philosophical Perspective) that is happening for the first time in the field of academics. From the time the first Indian sound film, Alam Ara was produced in 1931 till the present decade, it has showcased different aspects of Indian life traversing through myriad themes, be it comedy, romance, thriller, horror or drama.However, there has been a changing trend in the representation of Indian films through the years. The glorious past and cultural diversity of India was ref1ected in films. The post World-War II saw the change in the technical and conceptual element of Indian Cinema. College) (HOD, Philosophy, SIES College) Su b - Ed ited by: Prof. Therefore, Indian cinema has not remained at its dormant stage as it was way back in the past. The Socio Philosophical elements especially concerning Indian scenario has been the governing factor of Indian cinema.

Directors like Shekhar Kapoor, Anurang Kashyap, Anurag Basu, Nagesh Kukunoor, Gauri Shinde, Anusha Rizvi, Mahmood Farooqui, Anand Gandhi and others asked the audience the questions which definitely have answers in themselves; it is something like this – ‘no reason can also be explained with help of reason.’ Let me stop here. Amita Valmiki 5 II Bollywood, or the Hindi film industry is an industry in the true sense of the term.

Raj Kapoor was one of the film makers who used to convey social message through commercial cinema and Yash Raj Films’ production at this time though was into action and masala film but slowly and steadily now they started venturing into romantic comedy with globalization.